
Artificial Things | Design
Anna Jones our Theatre and Costume Designer for Artificial Things explains where the creative ideas appeared from.

Dance artist Emily Lue-Fong reflects on her journey of rethinking traditional partnering dynamics. Through her inclusive practice, she reveals how true connection emerges not from perfect technique but from trust, communication, and the creative negotiations that happen between dancers as they learn to move — and listen — together.
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On World Ballet Day 2025 "Access becomes Art", we are proud to announce the launch of the Access Ballet Collective and celebrate the brilliant ballet organisations and individuals we have worked with who advocate for change in ballet to make it a space where everyone can participate and thrive.
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Stopgap launches Kaleidoscope, a brand-new course dedicated to creative access in dance and performance!
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Anna Jones our Theatre and Costume Designer for Artificial Things explains where the creative ideas appeared from.

All three of Artificial Things composers have written about their experiences during the creation process.

The creative chief on diversity in dance, challenging the artform's accepted rules and why the best ideas begin over a cuppa

David explains the ideas behind section two of Artificial Things

The second section of Artificial Things is where everything gets a bit manic – the storm before the calm as it were. In this section there is a phrase created by Laura, which has been made into a unison section – otherwise known as the chicken phrase.

During creation at Zinc Arts, Andy Higgs, composer for the final section of Artificial Things, has set up his own studio next to the dancers to start creating the music. He has written a blog about the experience.

Dave writes about returning to Stopgap to work on Artificial Things

Chris has been working on developing his character in Artificial Things

Amy, David and Chris write about working with Jozef Frucek from RootlessRoot.

Lucy talks about what Yoshifumi is developing in the studio.

Dance writer Donald Hutera writes about Stopgap's transition from Vicki to Lucy's Artistic Directorship in 2011