
ISTD Springboard | Hannah's reflections
We hear from Hannah as she talks about her experience of teaching rep from The Awakening as part of an ISTD Springboard workshop at Urdang Academy in April.

Nadenh and Lucy recently travelled to Tbilisi, Georgia, to lead a five-day project with In Form. In this blog, we caught up with Nadenh to reflect on the process of creating a new work called ‘First Light’, and to share some insights from the participants we had the pleasure to work with in Georgia.
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A round-up of our creative learning this year: new courses, CPD training, international partnerships, school workshops, and the conversations shaping our approach to access and advocacy.
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On International Dance Day, Stopgap celebrates the Sadler’s Wells announcement - that ‘Lived Fiction’ is a Finalist for the prestigious Rose International Dance Prize 2027.
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We hear from Hannah as she talks about her experience of teaching rep from The Awakening as part of an ISTD Springboard workshop at Urdang Academy in April.

'An absorbing encounter with grief and loss' a review from Sadler's Wells

Thank you so much to all who gave us such lovely feedback. Here's a compliation of responses for what has been a hectic but exciting week!

Christian talks us through his experience of Stopgap’s IRIS summer school.

Stopgap Dance Company co-produced a large scale outdoor show The Seafarers with Portsmouth Festivities, here's happened, plus a full-length video!

Stopgap Dance Company is delighted to announce that their recent work, Artificial Things is part of the new specification for GCSE Dance.

In this first blog about Stopgap's next major production The Enormous Room, Artistic Director Lucy Bennett talks about the overall concept and how ideas for the work developed and changed.

Artistic director, Lucy, writes about Hannah and Nadenh’s pathway to graduation.

Chris has been creating choreographic tasks to inspire Guildford Youth Company for their upcoming performance at our Winter Platform.

Here’s the conclusion of Lucy’s series on Artistic Identity

Lucy’s series continues: with part two focussing on Integration.

Artistic Director, Lucy Bennett, writes a series of blogs on Artistic Identity – here’s number one out of three.

'Exhilarating, emotional and provoking' a review from Edinburgh Fringe Festival 2015

Artistic Director Lucy Bennett responds to the article 'How I shamed the ballet world' by Chief Political Correspondent of The Daily Telegraph. This response is also published by South East Dance's Everybody Issue in August 2015.

Company Producer Sho Shibata responds to the article 'How I shamed the ballet world' by Chief Political Correspondent of The Daily Telegraph. This response is also published by The RAD Gazette in October 2015.

Imogen Aujla PhD, Senior Lecturer in Dance and Course Coordinator MSc Dance Science at the University of Bedfordshire, writes about the well-being outcomes of dance and the positive impact our inclusive syllabus IRIS could have in promoting physical and mental health for disabled people.

Your thoughts on our new outdoor show Bill & Bobby from our outings at GDIF, Hijinx Unity Festival and Winchester Hatfair.

And here is the third and final part of this weeks featured blogs from Artistic Director, Lucy, summing up working on the Seafarers.

Here’s part 2 of Lucy Bennett’s blog; The Process behind making The Seafarers.

Artistic Director, Lucy, has written a three-part blog leading up to Stopgap’s performance of The Seafarers as part of Portsmouth Festivities. Read part one and learn where all the concept ideas stemmed from.

Laura talks about her involvement with Dance UK’s event, The Future: New Ideas, New Inspiration.

Stopgap is excited to officially announce our next big project - a site specific, community dance performance in Portsmouth

Julia, the company’s Research Assistant, writes a blog about Stopgap’s guest appearance on the main stage at Move it, the UK’s biggest dance exhibition which takes place annually at Olympia, London.

Julia, IRIS Research Associate, reflects on the first meetings for Stopgap’s pilot dance training programme for young disabled and non-disabled dancers.