
Artificial Things included in new GCSE Dance syllabus
Stopgap Dance Company is delighted to announce that their recent work, Artificial Things is part of the new specification for GCSE Dance.

On International Dance Day, Stopgap celebrates the Sadler’s Wells announcement - that ‘Lived Fiction’ is a Finalist for the prestigious Rose International Dance Prize 2027.
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Stopgap Dance Company is delighted to announce that their recent work, Artificial Things is part of the new specification for GCSE Dance.

In this first blog about Stopgap's next major production The Enormous Room, Artistic Director Lucy Bennett talks about the overall concept and how ideas for the work developed and changed.

Artistic director, Lucy, writes about Hannah and Nadenh’s pathway to graduation.

Chris has been creating choreographic tasks to inspire Guildford Youth Company for their upcoming performance at our Winter Platform.

Here’s the conclusion of Lucy’s series on Artistic Identity

Lucy’s series continues: with part two focussing on Integration.

Artistic Director, Lucy Bennett, writes a series of blogs on Artistic Identity – here’s number one out of three.

'Exhilarating, emotional and provoking' a review from Edinburgh Fringe Festival 2015

Artistic Director Lucy Bennett responds to the article 'How I shamed the ballet world' by Chief Political Correspondent of The Daily Telegraph. This response is also published by South East Dance's Everybody Issue in August 2015.

Company Producer Sho Shibata responds to the article 'How I shamed the ballet world' by Chief Political Correspondent of The Daily Telegraph. This response is also published by The RAD Gazette in October 2015.

Imogen Aujla PhD, Senior Lecturer in Dance and Course Coordinator MSc Dance Science at the University of Bedfordshire, writes about the well-being outcomes of dance and the positive impact our inclusive syllabus IRIS could have in promoting physical and mental health for disabled people.

Your thoughts on our new outdoor show Bill & Bobby from our outings at GDIF, Hijinx Unity Festival and Winchester Hatfair.

And here is the third and final part of this weeks featured blogs from Artistic Director, Lucy, summing up working on the Seafarers.

Here’s part 2 of Lucy Bennett’s blog; The Process behind making The Seafarers.

Artistic Director, Lucy, has written a three-part blog leading up to Stopgap’s performance of The Seafarers as part of Portsmouth Festivities. Read part one and learn where all the concept ideas stemmed from.

Laura talks about her involvement with Dance UK’s event, The Future: New Ideas, New Inspiration.

Stopgap is excited to officially announce our next big project - a site specific, community dance performance in Portsmouth

Julia, the company’s Research Assistant, writes a blog about Stopgap’s guest appearance on the main stage at Move it, the UK’s biggest dance exhibition which takes place annually at Olympia, London.

Julia, IRIS Research Associate, reflects on the first meetings for Stopgap’s pilot dance training programme for young disabled and non-disabled dancers.

Chris shares his experiences choreographing The Awakening and what he has learnt from the whole process.

Our Company Producer Sho Shibata gives his insight into producing The Awakening, which was the first touring dance production ever to be made by learning disabled choreographer.

Ana, who has traveled from America to be here with us at Stopgap for a six-week placement, writes a short blog explaining her experiences of dance and disability.

Amy has been commissioned to choreograph a short dance work for Sg2’s new mixed bill Exhibition, funded through Arts Council’s Strategic Touring Scheme, touring in Autumn 14. In this 2 part blog Amy explains her ideas for her choreography and where she hopes it will lead…

Prior to the London premiere of Chris’ new outdoor work at Greenwich and Docklands International Festival, Company Producer Sho Shibata talks about what makes Chris’ work so appealing (Part 1 of a 2 Part blog).